| 1 | "Management of the Elite Vocal Performer: An Integrated Approach"
1
University Hospital of South Manchester, Speech, Voice and Swallowing, Manchester
Elite vocal performers have very particular requirements with regard to vocal health as they are particularly vulnerable to vocal injury. Lifestyle and vocal demands can lead to sudden vocal difficulties which can threaten their careers. Pressure to continue vocal use despite vocal problems is frequent. It is essential that these performers have access to expert medical, therapeutic and vocal rehabilitation professionals when they experience vocal difficulties. In addition many benefit from regular vocal "check-ups" to ensure they remain in good vocal health.This presentation outlines the integrated approach developed at University Hospital of South Manchester, England. The Elite Vocal Performer Clinic has been developed as an extension of a suite of voice clinic services. It is run by a Consultant Voice Therapist and Vocal Rehabilitation Consultant but has regular input from a Consultant ENT Surgeon as required. Performers can be seen as part of a routine clinic or on an emergency basis as required. Many performers presenting to the clinic have required therapy and/or singing rehabilitation which has been delivered either consecutively or concurrently. Others have required surgical intervention followed by a therapeutic approach. A small series of cases which have involved the skills of all these professionals in managing elite vocal performers will be presented along with outcomes of these interventions. The importance of working as an integrated team in managing performers successfully is emphasised. |
| 2 | Modeling inner mechanisms of leading voice-instrument – voice coaching future pre-school teachers
1
University of Jyväskylä, Department of Early Childhood Education, Jyväskylä
Pan European Voice Conference PEVOC8, Dresden 26.-29.8.2009
Proposal
Raija Perko Department of Educational Sciences/ Early Childhood Education P.O. Box 35 FIN-40014 University of Jyväskylä Finland Abstract Raija Perko Modeling inner mechanisms of leading voice-instrument - voice coaching future pre-school teachers This presentation aims to introduce practical knowledge of the used voice education strategies while developing voice training courses in teacher training and open new understanding of the mental processes of voice production as a subjective experience. There has not been so much research on mental aspects of voice production as physical aspects in researching human voice. One as a useful tool in modeling and voice coaching future pre-school teachers I have used Neuro-Linguistic Programming. I have gathered research material since 1996 while developing voice training courses as a part of my postgraduate studies. In my research on voice coaching one point of view is modeling inner mechanisms of leading voice -instrument. In the process of developing voice coaching the most important factors have been: self reflecting, working with teacher students, studying NLP, and my mentor Vilho Kekkonen who is 100 years old diploma singer, the oldest still concertizing tenor singer in the world after Guinness record book. The strength of NLP is in the idea of modelling. One can investigate the structure of thinking and if needed to make changes in it. Robert Dilts (1998) one of the main developers of NLP says that one of the purposes of modeling is to help people to do what they know and to know what they are doing. NLP is based upon an idea that the processes of human learning, memory, and creativity are a function of programs - neurolinguistic programs that function more or less effectively to accomplish particular objectives or outcomes. We interact with our world through our inner programming. Dilts´ theoretical model of Logical levels was one of the tools I used modeling and interviewing the leading of a voice-instrument, focussed in speech. Future pre-school students´ subjective experiences of individual voice coaching lessons described as it has been very useful, important and good to get tools to develop own voice.
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| 3 | A lifetime of professional singing: a pilot study
1
singing teacher, , Bussum
2
Lab.Exp.ORL, Dep.ENT, Head and Neck Surgery, Leuven
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| 4 | The Usage of a Decibel Meter in Singing Training
1
London College of Music, Faculty of the Arts, London
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