| 1 | The Movement of the Diaphragm during Classical Singing: A preliminary study on the use of ultrasound as method for monitoring the movement of the diaphragm
1
University of Stavanger, Department of Music and Dance, Stavanger
2
Stavanger University Hospital, Department of Obstetrics and Gynaecology, Stavanger
Scientific abstract
Introduction: This study will by ultrasound imaging (USI) investigate the movement of the diaphragm (DPH) during classical singing. Due to the complex structures of the DPH both the anterior and dorsal sections of the DPH will be investigated. Material and method: The movement of the anterior section is surveyed by performing a transabdominal scan from the right hypochondrium. The movement of the dorsal section is surveyed by examining the movement of the left kidney Results: We conclude that USI is a promising tool for surveying the movement of DPH. Especially the frontal part is easily assessed, however, also the dorsal part may indirectly be surveyed by USI of the movement of the left. The results will be discussed. |
| 2 | Music that can exhibit intonation drift in a capella SATB quartet singing if sung in-tune
1
University of York, Electronics, York
When an SATB quartet sings a capella their pitch centre can drift since they perform in non-equal temperament. When the music modulates away from the starting key and back again later in the piece, the starting and ending keys (usually the same) will not be in tune with each other if the overall pitch has shifted. This study follows previous work that has established that this shift is found in a capella performance of specially written exercises. The purpose of the present study was to investigate music in the repertoire where pitch drift can be predicted and expected if the piece is sung in-tune and the hypothesis is tested with a semi-professional quartet. The fundamental frequencies for each singer of a quartet were derived from four electrolaryngographs and analysis is carried out using a spreadsheet. It is suggested that conductors and choral leaders need to be aware of this effect and have a strategy for dealing with it in rehearsal and performance. |
| 3 | Mistuning in two-part singing
1
Estonian Academy of Music and Theatre, Musicology, Tallinn
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| 4 | In Tränen unendlicher Lust: song interpretation supported by acoustic voice analysis
1
Lemmensinstituut, , Leuven
2
K.U.Leuven, Expertisecentrum Stem, Leuven
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| 5 | Training of the singing voice: a multimodal feature extraction approach
1
Università degli Studi di Firenze, Electronics and Telecommunications, Firenze
2
Spedali Civili, , Brescia
3
Università degli Studi di Pisa, Department of Electronics, Informatics and Telecommunications, Pisa
4
Università degli Studi di Milano, Otolaryngology Department, Milano
5
Fiesole School of Music, , Fiesole
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| 6 | Singers’ internal gestures and genre:Mapping vocal gestures in female singers of Western Lyric and Musical Theatre singing
1
Vocal Process & Institute of Education, Culture and Pedagogy, London
2
Queen Mary's Hospital, , Kent, London
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